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When Ania and Vlad married they were impoverished students, surviving on love alone. Now five years on, they both have prestigious jobs and live in a nice flat. Although Vlad gives Ania expensive gifts and treats her to exotic holidays, she believes that their feelings towards each other have died, and so she leaves for Kiev on the pretence of a business trip but actually to put some distance between them while sorting out her feelings. Ania finds Kiev in May a romantic city - with dazzling spring colours, blooming chestnut trees, the intoxicating smell of lilac, cobbled streets offering romantic walks and a handsome young photographer whom she keeps bumping into. They become acquainted and soon find they have a lot in common. Ania fancies herself in love but when her husband comes to visit her in Kiev, Ania has to decide whether to plunge into a new romance or try to find new depths in her old relationship.

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The film tries to make sense of the role of women in 1970s Estonia. The activities of men and women in different spheres of life are compared, the woman as a mother, caregiver and worker is examined, as well as the woman's aspirations for beauty and goodness.

Foto, An 11-year-old Boy Living In A World Of Imagination And Fantasy, Struggles To Interact With Other Children. When A Film Crew Arrives In Town To Make A Movie, The Lines Between Reality And Fantasy Become Blurred.

从“上城”前往“外围”赴任的年轻女刑警·索妮娅，在追查种种事件的过程中，遇到了为保护人类而战的三个丑陋的人。他们究竟是什么人……？ 这三个“妖怪人”，各怀心思地隐藏真身生活着。希望通过铲除为害人间的“恶”而成为人类的“贝姆”；憧憬人类，希望通过和人类上同样的学校来理解人类，以成为人类为目标的“贝拉”；看透人类和世间，冷淡地沉浸于游戏世界的“贝罗”。他们在各种各样的事件中，以及与人类相互接触的过程中，不断受伤，不断烦恼。即使为了人类而战，但他们丑陋的样貌决不可能被人类所接纳……。 有一个人正寻找着这样的三人。操纵着暗中控制里布拉市的“看不见的议会”、企图掌控贝姆等三人的她，究竟有何目的？

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暂无英文版的简介，请添加内容帮助我们完善数据库。

The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.

Film portrait of actor Endel Pärn (1914-1990). Pärn has said that theatre is a very simple thing. "You just have to learn the words by heart, then face the audience and say them out loud. And you don’t need to look at the clock. You can see from the audience’s faces when it’s time to stop."